When I’m not overseeing the nocturnal dalliances here at Suburban Pagans, I can be found swinging over at Diabolique magazine. Here’s what the scene’s like over there.

Zombies, The Beginning: Being the Last Will and Testament of Bruno Mattei
Un-death Row: Brian Yuzna’s Beyond Re-Animator
A Tale of Tentacles and Fishmen: Stuart Gordon’s Dagon
Flipping through the Book of the Damned: Necronomicon
Around the World with How the World Remade Hollywood
Brass Before Ass: Exploring Swinging London with Deadly Sweet
New Wave Noir: Wayne Wang’s Slam Dance
Esper the Exploiter: Maniac and Early Sleaze Cinema
The Merry Frolics of Pinhead
Diments Are Forever: A Tale of Spies in Swinging London
The Red Red Range: Four Splatter Western Novels from Death’s Head Press
Noir & B: The Sultry Sound of Slow Grind Fever
La Dolce Vida con Omicidio: Mario Bava’s The Girl Who Knew Too Much
Bubblegum Ninjas: Camp, Kobayashi, and the Psychedelic Grandeur of Black Tight Killers
The Ghastly Extremes of Agony: Roger Corman’s The Premature Burial
One Loud, Long and Final Scream of Despair: AIP’s The Pit and the Pendulum
An Anomalous Species of Terror: AIP’s the Fall of the House of Usher
Let the Revels Begin, Let the Fires Be Started: The American Mythology of Streets of Fire
All the Colors of the Rainbow Man
I Spit On Your Grave…No, Your Other Grave
Catch a Shooting Hustler: Yakuza, Borderless Action, and Velvet Hustler
Franco Meets the Fearmonger: Weird TV, Weird Movies, and The Girl from Rio
Funhouse Madhouse: Nazis, Stalin, and the Hourglass Sanatorium
Defiant Fairytales: The Prague Spring and Valerie and Her Week of Wonders
Strange Tales from a Chinese Studio, Pt. 1: From the Ming Dynasty to the Shaw Brothers Dynasty
Strange Tales from a Chinese Studio, Pt. 2: From the Old Classics Comes a New Wave
Strange Tales from a Chinese Studio, Pt. 3: It Seems We Have to Storm Hell!
Invisible Man in Japan
A European Vampire in Japan: Japanese Vampire Fiction and Nobuo Nakagawa’s Lady Vampire
Gogol and the Christmas Goblin
A World of Wicker, Part 1: The Life and Myth of Emmanuelle
A World of Wicker, Part 2: Seeking the Heart but Finding the Tears
A World of Wicker, Part 3: Because of Kristel
Music is Screaming: Exploring the Music of Bollywood Horror Cinema
Ain’t That a Kick in the Head: Samuel Fuller’s Pulp Brainquake
Bamboo House of Dolls: Women in Prison, Shaw Brothers Style
The Old Dark Haveli: The Mad Dancing, Murder, and Mystery of Gumnaam
Taste the Hamburger of Dracula!
Of Harlots, Hays, and Harlow: Sex and Class Warfare in Red-Headed Woman
The Shadow of Carmilla: From Camilla to Carl Dreyer
Vadim’s Vamps: Bared Bums and Bared Fangs in And God Created Woman and Blood and Roses
Carmilla in the House of Horror, Part 1: Drac’s Back
Carmilla in the House of Horror, Part 2: Vampire Lovers
Something Always Happens to Somebody: The Screwball Spookiness of The Crooked Circle
Everything Gets Boring: Grappling with Disappointment in Deep End
The Fabulous World of Karel Zeman
Cardigans vs. Devil Capes: Being a Vampire Isn’t Enough for the Devils of Darkness
Bruce in Bollywood: Dharmendra Meets Bruce Le in Katilon Ke Kaatil
Main Hoon Dracula
Umberto Lenzi’s Merry Men: The Triumph of Robin Hood
‘Le Ore Che Contano’ — 10 (ish) Servings of Continental Lounge to Accompany a Session of Amore
One Slow Descent into Respectability: Prostitutes, Profumo, and the Pleasure Girls
History, Umberto Lenzi Style: Catherine of Russia
Lenzi and the Lady Pirate: Swashbuckling with the Queen of the Seas
Machine Made Dirt: Beat Girl and the Birth of the British Teenager